10 things anime studios need to stop doing
As much as any person can love the anime, they are also bound to have pet peeves when it comes to the medium. Fans who have watched cartoons long enough can get used to these little annoyances, but they also know how much better things could be without them.
It could be over-reliance on fan service or using flashbacks to save time. With some anime, it could also be an abundance of tropes or stereotypes. There are many issues to choose from and the industry would be better off if animation studios could stop doing these things.
ten Make non-native speakers speak in English
Various animes use non-Japanese characters in their stories or have their own Japanese characters attempting to speak English to communicate with a foreigner. In almost all cases, spoken English is broken and seems very basic. This is not the fault of the Japanese voice actors, as they may not have had any training in the language, but clear alternatives would be to cut those moments, do them entirely in Japanese, or hire them. Appropriate English VA.
9 Too much reliance on fan service
Too often, anime attempt to supersexualize their female characters to appeal to the male audience watching their story. Some shows intelligently place this content in bonus episodes or during the downtime between main story beats, as seen with typical beach or hot spring episodes. But, when an anime interrupts its own story to show a scantily clad stray female character, it’s shocking to say the least. This type of fan service suggests the studio is wary of the attention span of its viewers, and they’d better avoid it.
8 Spoil the story in the opening song
Anime openings are a hallmark of the medium and are often loved by fans for their memorable music and outstanding visuals. That said, some openings can go too far and include major plot points for the upcoming arc, spoiling viewers on future episodes.
This happens most often with shonen animes such as A play, but it’s not exclusive to this genre and as a result fans can’t enjoy the openings that set the tone without being bombarded with clues as to what’s to come.
7 Use the endings of “Read the manga”
A “read the manga” ending refers to the moment an animated series ends on a cliff with no promise of continuation, indirectly tricking viewers into buying the manga to see what happens next. It may sound cheap and unsatisfying, but luckily, it has become much less common in recent years. Most of the time, anime studios have little to say if they can make another season. A production committee above the studio may choose not to continue the anime and leave it as a marketing tool for the manga, or there might not be enough material to adapt new episodes.
6 Go too far into misunderstandings
In a Slice of Life or a romantic comedy anime, simple verbal misunderstandings can create several episodes of tension and animosity between the actors. It’s frustrating to watch, especially when viewers know that a simple conversation could solve both parties’ issues immediately. For many cartoons adapted from pre-existing stories, there isn’t much that can be done, but for original works where the studio has full control, fans would rather not see that.
5 Create a dense protagonist
It’s possible that having poorly intelligent protagonists is a storytelling tool for better comedy or better relativity, but it’s also difficult to watch. It could be the hero of a harem romance being completely oblivious to the signs of the girls around him, or it could be Son Goku in Dragon ball super, showing a less critical mind than in Dragon ball z.
The fact that Dragon ball fans prefer that his personality from previous series speaks volumes about the value of following a competent protagonist. Clever harem characters such as Uesugi Fuutarou from The quintuplets par excellence also demonstrate it.
4 Stick to restrictive formats when not necessary
The anime generally takes place on a schedule determined by Japanese TV slots. Shows can air at allotted times for a period of three months, which is why seasonal anime are typically twelve episodes long. Some anime stick to this format and others take two seasons to tell a twenty-four episode story, but there are times when fans may say that a story is rushed or stretched to fit. this rigid structure. A successful anime with ten episodes or less, or even a much longer episode count, proves that there are better possibilities.
3 Implement too many flashbacks
The Shonen anime has a common problem adapting its source material too quickly. Studios must then decide whether to take seasonal breaks and let the source material replenish itself or slow down the pace of the anime and continue to air. This last option causes flashbacks. Anime like My hero university and A play are notable examples where unnecessary flashbacks of events that have taken place very recently are used to save time, slow the pace, and make fans wish that things were different.
2 Do nothing remarkable with stereotypes
Asuka Langley Soryu from Neon Genesis Evangelion was the best example of a Tsundere: a character who cares about someone but aggressively denies it. Likewise, Yuno Gasai of Diary of the future displays typical Yandere tendencies to be both affectionate and extremely violent.
Anime fans are well aware of these kinds of stereotypes, and anime studios have used them extensively over the years. When used to creatively subverting expectations, they can be a lot of fun, but sticking too close to the stereotype creates predictable and squeaky viewing experiences for fans.
1 Developing an original anime ending
For various reasons, animation studios sometimes resort to creating original endings that deviate from the source material. The manga for Fullmetal Alchemist wasn’t finished, so Bones studio had to either create an original anime ending or put the show on hold until they could adapt the finished product. Looking back on endings like this, it becomes clear that delaying the anime to adapt the canon ending would have been the wiser choice to please fans. Unfortunately, this isn’t always possible due to pre-existing TV deals, but animation studios should try to find an alternative.
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